![]() More potpourri than unified high concept, the fourth installment in the Pure Moods series nevertheless provides an interesting collage of acts associated with techno, ambient, alt-pop, and New Age genres. Ever So Lonely / Eyes / Ocean - Shelia Chandra 11. Velocity of Love, The - Suzanne Ciani 10. Land of Anaka - Geoffrey Oryema/Brian Eno 07. Games Without Frontiers - Peter Gabriel (Massive/DB mix) 05. While this collection moves through a widely varied batch of styles and artists (who would've imagined a paradigm that embraces Enya, Moby, and Blue Man Group?), the common theme is one of tranquil moods expressed through soft, flowing sounds. The PURE MOODS compilation series is the place where ambient music, new age, and what can only be called 'contemporary instrumental' intersect. PURE MOODS III manages the difficult trick of maintaining. The Mystic's Dream' - Loreena McKennittįrom the soft focus, new age watercolors of Suzanne Ciani and David Lanz to the electronic oriented sound of Moby and trip-hoppers Mono, the overriding theme is one of lush tranquility. Beyond the Invisible (short radio edit) - Enigma 16. Life in a Northern Town - Dream Academy 06. The Cradlesong (DaWa) (remix) - Sacred Spirit 04. The Mummers' Dance - Loreena McKennitt 02. Arrangers: Claus Ogerman Massive Attack Neil Davidge. Lyricists: David Fairstein Michael Crétu. Producers include: Loreena McKennitt, Yanni, Vangelis, Tommy LiPuma, Craig Armstrong. ![]() Pure Moods II reaches back to the '80s for the idyllic pop of the Dream Academy's 'Life in a Northern Town' and even checks in with the British trip-hop scene, offering Massive Attack's 'Teardrop.' A consistent but varied effort, Pure Moods II may surprise you. Vangelis' uplifting 'Chariots of Fire' is here, as is Loreena McKennitt's neo-Celtic 'The Mummer's Dance,' but there are some unexpected entries too. Hence, Pure Moods II, which picks up where the first volume left off, offering delicate, highly atmospheric pop that crosses over into the Contemporary Instrumental sound without ever getting too Windham Hill. The first Pure Moods collection of dreamy, new age-identified tunes was such a huge success that it demanded a successor. My Wife With Champagne Shoulders - Mark Isham 16. Theme From Twin Peaks-Fire Walk With Me - Angelo Badalamenti 14. Wishes Of Happiness & Prosperity - Sacred Spirits 13. Main Title Theme (The Last Emperor) - David Byrne 12. Theme From 'The Mission' - Ennio Morricone 11. Tubular Bells Part 1 (Edit) - Mike Oldfield 07. X-Files Theme (DADO Paranormal Activity Mix) - DJ Dado 06. Artfully arranged and thoughtfully compiled, PURE MOODS is a deeply satisfying collection of atmospheric music. Stewart's 'Lily Was Here'), the strangely surreal (Angelo Badalamenti's 'The Theme From Twin Peaks-Fire Walk With Me'), and the spiritual (Sacred Spirits' 'Yeha-Noha '). It touches on the lightly jazzy (David A. With it's rich variety of material, PURE MOODS is the perfect album for those without multiple cd changers. 1 - 4 (1994 - 2002)įrom the exotic world-music flavor of Enigma's 'Return to Innocence' to Enya's weightless, ethereal 'Orinoco Flow (Sail Away),' to the deeply moving 'Theme From 'The Mission' by Ennio Morricone, the songs on this compilation are mostly mood-enhancing instrumentals that complement each other perfectly. And yet, all of it creates the same gray impression - which, of course, is the point, in which case credit must be paid to those who selected and sequenced these performances.mp3-320kbps CBR, scans, info. There are vocals, the best being the late Eva Cassidy's breathtaking treatment of Sting's "Fields of Gold." And there are yawners, such as Yanni's "One Man's Dream," which he may, in fact, have recorded while asleep, or "This Love," sung by Elizabeth Fraser of the Cocteau Twins over a groove that suggests the tread of a drugged somnambulist, and Govi's "Garden of Eden," which sounds way too much like "Chim Chim Cheree" to take seriously. There are ambitious works like Moby's "God Moving Over the Face of the Waters," whose attempts to marry grandeur and minimalism are somewhat undercut by the monotony of a cymbal sample repeated too predictably. Some are played solo, like George Winston's new age relic "Sea." Some are crammed with odd instrumentation, as in the briefly startling last section of Yann Tiersen's "La Valse d'Amélie." Some have entire orchestras sawing away. Nearly every track on this addition to the series is set in a minor key. Apparently the only mood that matters is one of pensive melancholy.
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